I will give you some CC.
Call life what you will,
A joke,
A curse,
A gift,
An adventure.
Take from it what you will,
Joy,
Sorrow,
Love,
Hate.
Lose yourself in it
Find your purpose
Or,
Find nothing at all.
Hm...obviously, this poem is meant to be prose, but I think that it would be better if you got some meter in it. In its current state it just seems kind of random, ya know? I did like the last part, "find your purpose or find nothing at all", but I think that you kind of...stretched it out a bit. Why does practically every word have to be on another line? I think it detracts from the poem, to be honest. So maybe, you could find a way to create a meter, stop being so random about it, and stop spreading it out so much. Punctuation might also help a little, or less punctuation. I think you let some of the more powerful lines burn out without expanding on them, while expanding some of the weaker lines. Maybe something a little more like this would be better, in my opinion:
Call life what you will.
A joke, a curse, a gift
Take from it what you will.
Joy, sorrow, love, hate
Lose yourself in it
Find your purpose, find yourself
Or find nothing at all. Otherwise, I think it's a great idea, the problem is just the way you put it, yanno?
A man asked, "What is the meaning of life?"
A woman told him, "Whatever you make it to be."
A child asked, "Is god real?"
A parent told them, "Only you can decide."
Personal opinion is what we use to guide us,
The opinions of others are what lose us.
We can never be certain
That we are certain of anything
Because of change,
And because things stay the same.
What makes sense one day,
Will confuse us another,
And so it goes on.
People tell others to:
Get in line,
Grow up,
Get our lives straight,
Who told these people these things?
And why tell us the things that broke them?
Is it human nature to be unhappy?
Two men sit on a bench,
In a park,
Under a tree.
This part...this part just shoots everywhere. Like seriously. It bounces around way too much for it to be properly understood. Have you ever heard of these delightful things called stanzas? They're a way for you to divide the poem into parts so it's not so insanely long, you know? It gets confusing with just a bunch of stuff piled together in a mess.
A man asked, "What is the meaning of life?"
A woman told him, "Whatever you make it to be."
A child asked, "Is god real?"
A parent told them, "Only you can decide."
Personal opinion is what we use to guide us,
The opinions of others are what lose us.
For example, before moving on to certainty or whatever, perhaps you could stay on the path. It starts branching off too soon, in my opinion. The whole "
ersonal opinion" thing could be tied together with the rest of the stanza so nicely, but instead you just kind of tossed it in there. And instead of doing the whole thing, perhaps you could have these peoples' different answers, and then branch off into the child and parent conversation. This might be a little better:
A man asked, "what is the meaning of life?"
A woman told him, "whatever you make it to be.
Certainty is uncertainty
And we cannot be certain of anything
Unless we are certain of ourselves
Answer your own questions, be your own self." You know? Something like that.
A child asked, "Is god real?"
A parent told them, "Only you can decide."
Personal opinion is what we use to guide us,
The opinions of others are what lose us.
So
now we move on to the child and parent in a different stanza. We can tie in the personal opinion bit as being part of what the parent says, like what we did with the woman.
A child asked, "Is god real?"
A parent told them, "Only you can decide.
Personal opinion is the compass used to guide us,
The opinions of others are what get us lost.
For how can we know if they follow their compass
Or if they follow the other blind men?" You know, something similar to that. If you're going to jump around like that, either tie the stuff together or throw some of it out the window.
Because of change,
And because things stay the same.
What makes sense one day,
Will confuse us another,
And so it goes on.
People tell others to:
Get in line,
Grow up,
Get our lives straight,
Who told these people these things?
And why tell us the things that broke them?
Is it human nature to be unhappy?
Two men sit on a bench,
In a park,
Under a tree.
They talk about family and friends
They talk about work and dreams.
One man says, "It is a waste of time to dream,"
The other says, "Yes, but to have dreams is not."
Dreams are what the world is made of
Bad dreams,
Good dreams,
Lost dreams.
See, this is a prime example of where you jump around without real resolution to one subject, then move onto another subject and the whole poem starts to look like a mess.
Because of change,
And because things stay the same.
What makes sense one day,
Will confuse us another,
And so it goes on.
See, this should be a stanza by itself. You should separate it from the rest of this big part because it's pretty unrelated and has a fair enough closing line. You don't really need to edit it, just set it aside so it can be read without having to read the rest all in one sitting.
People tell others to:
Get in line,
Grow up,
Get our lives straight,
Who told these people these things?
And why tell us the things that broke them?
Is it human nature to be unhappy?
Again, you're stretching out the poem and the meter and putting things on separate lines that don't need to be separated. It might be a little better this way:
People tell others the things that broke them
"Get in line, grow up, straighten out your life."
Who told these people these things?
And why should we break ourselves?
Is it human nature to be unhappy?
Or is it human nature to try but fail? Two men sit on a bench,
In a park,
Under a tree.
They talk about family and friends
They talk about work and dreams.
One man says, "It is a waste of time to dream,"
The other says, "Yes, but to have dreams is not."
Dreams are what the world is made of
Bad dreams,
Good dreams,
Lost dreams
Again, with the separate lines thing. I don't know if you're intentionally trying to make the poem choppy and disjointed or what, but you succeeded in a big, big way. Just...try to connect the lines so it's a little smoother, and again, don't jump around quite so much. And frankly, the park and tree lines are just unnecessary, you can get rid of those.
Two men sit on a bench.
They talk about their family and friends
They talk about their work and their dreams.
One man says, "It is a waste of time to dream,"
The other says, "Yes, but to have dreams is not."
Dreams are what the world is made of
To have good dreams, and bad dreams, and lost dreams is to be human.You know, these are just suggestions and to be frank, that part just...I dunno, it just seemed to bounce about too much. As Jess said, most accurately, you "waffle on". It makes it unique but at the same time it just...it just makes it difficult to read, yanno what I'm saying here?
Hope is never far off,
As the old die,
The young are born,
The young grow,
They become old,
The old die.
But while they are young,
They change the world.
Some for the better,
Others for the worse.
Inspiration is a dream.
The only inspiration in life is life:
Really, the entire poem has this same problem, and I honestly think at this point that you're just going on and on. I don't mean to be mean or anything, just trying to help(you did ask for a critique), but really. The hope line can be tossed out the window, and bits and pieces of the inspiration line will need to be tossed into the trash can as well.
As the old die, the young are born
The young grow, then grow old, then die
But while they are young, they change the world.
Some for the better, some for the worse.
Some don't change the world at all.
But they always change themselvesWhat to do?
How to do it?
Can we change the world?
How to change the world?
Is there purpose?
Are we real?
Or a figment of imagination?
All questions do not need answers.
Call life what you will,
These are the boring bits
Truly, the entire poem has the same basic problem, and that's overextension, which I think I've said several times by now. And I think this whole stanza can just be thrown out the window, really, it's just kicking around now. You've already pretty much driven your questioning point home with the rest of the poem, which makes this part useless. Keep it if you want, though.
So, here is what I think would be an improved version of the poem.
Call life what you will.
A joke, a curse, a gift
Take from it what you will.
Joy, sorrow, love, hate
Lose yourself in it
Find your purpose, find yourself
Or find nothing at all.
A man asked, "what is the meaning of life?"
A woman told him, "whatever you make it to be.
Certainty is uncertainty
And we cannot be certain of anything
Unless we are certain of ourselves
Answer your own questions, be your own self."
A child asked, "Is god real?"
A parent told them, "Only you can decide.
Personal opinion is the compass used to guide us,
The opinions of others are what get us lost.
For how can we know if they follow their compass
Or if they follow the other blind men?"
Because of change,
And because things stay the same.
What makes sense one day,
Will confuse us another,
And so it goes on.
People tell others the things that broke them
"Get in line, grow up, straighten out your life."
Who told these people these things?
And why should we break ourselves?
Is it human nature to be unhappy?
Or is it human nature to try but fail?
Two men sit on a bench.
They talk about their family and friends
They talk about their work and their dreams.
One man says, "It is a waste of time to dream,"
The other says, "Yes, but to have dreams is not."
Dreams are what the world is made of
To have good dreams, and bad dreams, and lost dreams is to be human.
As the old die, the young are born
The young grow, then grow old, then die
But while they are young, they change the world.
Some for the better, some for the worse.
Some don't change the world at all.
But they always change themselves
Anyways, I hope that helped!